Wednesday, September 28, 2011

Artumn Madness: Day 6

I've been painting a lot of these because they are tasty and I love them. I need to buy more. I need to practice more too.

I have a painting of a dog I did for a fiverr gig I'll post later today. I will stop the gigs for my autumn painting time, so if you want one you better order before tomorrow, when I'll suspend my painting gig. I'll still be doing drawings, however.

I've also got to figure out how to update my ticker on my phone. It still says I've only done a little over 100 sq inches! That's so not true :)

Is anyone going to join me for Artumn Madness in October? It's only a little over 3.5 sheets of letter sized (A4) paper a day for a month! Not too difficult!

Tuesday, September 27, 2011

Artumn Madness: Inspiration of the Day 01

So, I was asked the question, "If I do this, how will I get enough ideas to draw every day?"

This was a good question because it made me think outside of my head for a bit. For me, ideas just pour in. I look at stuff from the past, I doodle, I keep a camera with me at all times, I keep a sketch book, etc.

Ideas beget ideas.

But how to start when one is not used to coming up with ideas?

I have decided to share some of my set ups with everyone. Ideally, you would want to set up this in your own studio or work space and draw or paint from life. But I know this isn't always possible. You are welcome to paint directly from my photos on these posts. They aren't the best photos, being done with an iPhone, but they are there just to get so ideas flowing. Here is an anaar.

Simple, but the reds are difficult to get just right.

And here is one that's a bit more dynamic:
Yeah... I've been painting veggies and fruit. But thy are so fun! And I always start to think about what else I can do with them. Onions can be peeled and have gorgeous skin when light shines through it. And Pomegranate seeds are like little jewels! There are just a ton of ways these things can be painted! I could spend the entirety of autumn on just fruit!

But...I also have some handmade pottery I've been wanting to use in a painting. And the trees are starting to turn. And cotton is almost ready to be picked. It is the season of mist and mellow fruitfulness.

Inspired? Have something you can't wait to draw or paint? Something or someone you secretly want to paint? Let us know (what you can!) :)

Artumn Madness: Days Three, Four and Five

Isn't this time of year great? It's been absolutely busy. And I've been doing my best to not only paint, but get ready for October (where I will kick off Artumn Madness, October Edition) and help some of my friends with drawing.

I've done a few paintings, and I should update my count. I'm now at 101.325 sq inches. But I should be able to add at least 100 or so more today once I get done with my two commissions and a few other smaller paintings. I've gotten into more of a painting groove. Now if I could just produce good paintings (notice the lack of a photo of what I've done on this post!)

One of my friends asked me a question last night: "How do you start when you draw from life."

I thought this was an excellent question and I set out trying to explain the start. I realized while I could do it in words, it would probably be easier for everyone involved if I do a demonstration. So I'm planning to do that, it'll just take me a bit to get the photos done right and the post formatted. Especially with all the paintings I'm trying to do. But I'll be doing several beginners posts because I think it's important to have a starting point. There are a ton of "how to start painting and drawing" posts, but I do think I have something different to bring to the table. A different way of looking at it. So either sometime tomorrow or the next day I'll be posting that, and I hope it helps!

Saturday, September 24, 2011

Artumn Madness: Day Two

Thin Pepper and Lemon
Still Life

Well, I thought I would show off the best piece I've done that counts towards Artumn Madness. I had a day of volunteering so I haven't done much, I'm afraid. They put me on trash duty for most of the morning, and then I ended up doing face painting for about an hour. I don't think I'll count that towards my 30,000 sq inch goal, but it is tempting. It was painting. Kids are kinda cute.

I have painted some after that, and I'm about to paint more. I have a little set up for still life and everything. I'm going to do two commissions first, before I start on the still life. I have peppers and lemons and all sorts of fun things to paint! Aanar even! Tomorrow I'll have to shellac more boards before I'm able to really start painting. I think I'll shellac as many as can fit on my work area outside, and then go inside to paint for an hour or so, then harvest those, shellac another set, then paint for an hour...

I've really got to get started! At least now I'm back on a normal sleeping schedule so I can get up at a time that isn't noon or later. That was getting old fast. I like being able to paint with natural light, and I was missing morning light sleeping so late! I mean, I get natural light all day, but half of the day was lost... lost...

When do you like to paint? Morning? Night? Do you prefer natural light? North light only? Sky light? Light box? Let me know about your set up! Link to pictures for bonus points!

Friday, September 23, 2011

Artumn Madness: Day One

Well, it is September 23 and I have gotten off to a...

... ok, so I haven't really started. I hope to have 40 square inches done by the end of the day. I think that's fairly miserable. 40/10000 I am rocking it.

I would stay up late to get more done, but I have to be up to volunteer tomorrow. All day. depending on when I finish I may do another painting, but I can't stay up past midnight to get a lot done. I might try at least one more larger work.

I was always slow starting out during NaNoWriMo too. One year I didn't start until 6 days in, but I did get it done. I always work better on a deadline. But I do tend to skirt them.

How do you deal with deadlines? Do you start strong? Finish strong? Keep an even head? Let me know!

Tuesday, September 20, 2011

Artumn Madness: The Rules

Well, my cousin told me it might be helpful if I outlined a few rules in the event that someone would like to paint with me on this venture. I said okay. And then I had to figure out exactly what the rules were going to be. It's easy for me, I have a lot of stuff and I want to paint. I'm going to PAINT ALL THE THINGS!

So here are the rules:

1. 10,000 square inches. You have one month. Do something with them. If you want to do the whole "Artumn" with me, (September 23-December 21) it's 30,000 square inches.

2. Yeah, that's it.

And here are the questions I am anticipating:

Q: Does it have to be one large 100in x 100in work?

A: No, you could do 10,000 square inch drawing or paintings if you wanted. Or you can do a 16x20 painting a day (plus some extra on special days) or you can find a giant 100x100 canvas and go to town. Whatever would make you feel more accomplished, or would fit into your goals.

Q: Does it have to be painting? Oil only? What's the "correct way"

A: There really is no correct way. It's whatever you would be happiest with. Do you want to get better at pencil? Pen and ink? Watercolor? Decoupage? Paper cut outs? Pyrography? Fabric arts? Acrylic? Oil? It's up to you!

Q: I don't really have a lot of money....

A: Eh, neither do I. I am an artist. But, seriously, you don't have to go out and buy the best canvas, the best paint, or the best brushes and paper and tools. This is about getting better, not making a bunch of (Or one big) masterpiece. This is about working! I once saw a lady take a roll of brown paper towels from storage and use that to draw on. Tons and tons of drawings with that and an ink pen. You can get a ream of paper for about 8 dollars at Staples. I went to Hobby Lobby and asked for all off the mat scraps (Smaller than 5x7) they just throw away and they'd keep them in a box and I'd buy a whole bunch of them for a couple of dollars. Now I'm shellacking them and using them! See how creative you can be! Isn't that what artists are known for? I know I went to a place where we had a bonfire and I ended up with a ton of charcoal that worked brilliantly. A roll of butcher paper from Lowe's doesn't cost that much. And just ask around. Who knows what your family and friends will have in a corner that they'd love to get rid of!

Q: I've started this work and I want to use it. Do my preliminary sketches count? What about...?

A: If you want to use it, use it. If you would feel good about yourself after counting that, then I will feel good about you too. This is about getting better. And if you cut corners, you don't really hurt anyone but yourself. But if you worked hard on whatever it is, count it! But they have to be done within either autumn, or the month you've chosen to work in. That's it.

Q: How do I keep up with how much I've done?

A: I don't really have anything set up where people can keep up with their square inch count. I've started a twitter account @artumnmadness and I will be starting a facebook group that people can join. As for now, you can tweet @artumnmadness or comment on my blog here. Or you can post to your own blog and facebook page. Just try and link back here so other people can join! You can either measure it out perfectly or estimate if you are using less than regular pieces.

Q: Where did you get 10,000 square inches?

A: I looked up the size ofA Sunday Afternoon on the Island of La Grande Jatte. I figured that would be an accomplishment in a month. It was 9000 something square inches. I rounded to 10,000.

Q: What do I win?

A: A real sense of accomplishment? Maybe a certificate you can print and hang on your wall....

Q: Why in the world would I want to do this?

A: You should look inside yourself and see if you have what it takes.... Ok, I'm being slightly facetious. The reasons for doing this are as varied as the reasons people sign up for NaNoWriMo. People always say "I want to do art" or "I want to write a novel" and it's always going to be "someday." Some people like a challenge. Some want to use up a large amount of art supplies that they're too afraid to start to work on.

For me, I don't really have such a noble cause. I am always timid when starting something else. I work best within rules and deadlines because when I add limitations I always come up with more creative solutions. When I have a deadline I work harder and do more. I loved NaNoWriMo, and I wanted something for art that didn't involve comic strips or create one perfect painting daily. And also I have a lot of art supplies...

So I made up my own rules and deadlines.

Do you want to join me? It could be fun! I'm looking forward to starting in 3 days time. I will be welcoming people who want to do a month of art in October, and once again in November as well, so don't feel too rushed. Just comment, follow me on twitter, and let me know what you think!

Monday, September 19, 2011

Fiverr: Dream House in Autumn

This is a cute painting I did, I kinda like it, though I did have to fight with it a lot.

Sunday, September 18, 2011

Artumn Madness: The Idea

Autumn starts this year on September 23. I've always loved this time of year. I just want to go and create and put things in order, enjoys the colors and the scents. Large bouquets of sharpened pencils and school supplies! I love it!

So what's that box of... Stuff?

That is a small part of my collection of mat board scraps. Yes. Small part. I have two other bags and another large box. so... What am I going to be doing with it?

I love writing for NaNoWriMo in November: the madness, the work, the finished piece! I wanted to do something like that with painting. So I did daily painting, but I never got that feeling of madness. I felt pressured to make perfect pieces daily, but even that ran counter to NaNo and the "it doesn't matter if it sucks just WRITE" argument.

And if you write and paint a lot of absolute crap and drivel, you are bound to accidentally come up with something good as long as you're trying! There was once a pottery class where the teacher divided everyone into two groups. The first group only had to turn in one pot, but it had to be perfect to get a passing grade. The second group would be graded on quantity instead of quality. They had an ungodly quota to meet. So where did the best pots come from? The group more focused on quantity, hands down. The other group got bogged down in theories and beauty and didn't create as much. It's all about the work!

Then I got an idea. Something I could do. I was going to use all of my pieces of mat board for painting. All of them. At first I thought I would do it in October which would be a very, very scary thing to do. Luckily while trying to come up with names Assad came up with Artumn and I found out that fall starts September 23 and ends December 21. Much more doable than thirty days, especially with the amount of board I have!

So that's my challenge. An ungodly number of small paintings are to be done by December 21st. I am not going to be focused on quality. I'm not going to try to be bad, but I won't have that pressure of one perfect daily painting.

I will have the freedom to just paint!

Friday, September 16, 2011

Bookbinding: Books 1, 2, 3 & 4

Well, I finally got all four of these mostly done. Well, as much as I'm going to do. I have to redo a signature in the star one, the pages of the dark black one have to be trimmed down, and the other two have small problems that I'm never going to fix because they're my books and a little bit of weirdness doesn't bother me, even though it would have brought my grade down in my bookbinding class I took.

I really dislike how stressed I was during that class. I love books and I love making them, but I think I would have done a better job on these if I didn't have, "so what if this would have been marked wonky! I can do anything!" in my head like a mad woman. But now that I let that go through my system, I feel much better about bookbinding in general. Less likely to freak out.

Ok, it's me, I always freak out. But usually I'm not freaking out to please someone else, but me. I haven't done that in awhile. Art school did make me a lot more chill about mistakes. No. It had nothing to do with drugs. Ever. (seriously! I'm much to high on life to ever want to get into an 'altered state') But one thing art classes did teach me was that if I can paint something good once, I can do it again. It's better to wipe out something beautiful in the wrong place and put it where it needs to go than trying to paint around it!

Bookbinding class taught me to freak out again because I had no time to do assignments and make them as perfect as I wanted and yes, it would really mess up my grade. Not a good feeling to cultivate.

No! Don't take me the wrong way!

I'm not saying we shouldn't strive for getting it perfect, we should! I'm just saying this feeling of absolute panic and failure was a bad way to go about it. It didn't make the people who weren't going to try anyway get any better and it made people who were actually trying to learn and do beautiful books miserable and not want to do it.

If we were going to make "perfect books" right out of the gate, why bother joining the class?

In my painting classes my teacher could make someone with an admittedly bad painting (someone who was trying, but just couldn't get it right, not someone who didn't try) feel better at the end of a critique, have confidence that they could be better, and feel like trying again. The grade didn't matter but he was making people try harder!

I wish I would have been able to get that from bookbinding class... I'm working on it though!

Thursday, September 15, 2011

Bookbinding: Book 1 & 2

I finished the red one last night and I just love it. Right now I'm sewing book three and hope to be done in an hour or so, but I'm getting a pretty rotten blister and it's making me go so slow! Book four won't take much time because it's only six signatures.

After that I've got another article I'm working on about why north lit studios are awesome and why kayak compasses confuse me. And I have done another article on the faux fauve palette, but I'm missing works that illustrate my point so I have to work on those. And I have a commission.


Tuesday, September 13, 2011

Bookbinding: Books 2 & 3

Ok, so they aren't finished yet, but I love the papers I used for these! The book cloth looking stuff is not actually book cloth and both it and the paper are shiny! See the sparkly stars? And I love the dots on the red paper. I plan to buy more red paper if I run out of paper.

I'm glad I'm doing these because I'm remembering a bunch from class I had forgotten and learning some new stuff. When I actually make books that need to not be wonky I will be able to create them!

Museums: Not for artists any more

I have been to museums a grand total of three times in my life. Well, let me qualify that. I've been to museums that showed more than modern or contemporary art, and focused in on art of the past three times in my life. The first time I went I was a senior in high school and I went to the Art Institute of Chicago. The second time I had just finished my art degree, I was in my first year of physics classes and I once again went to the Art Institute of Chicago. The third time happened just the other day, during the first year of my art career, at the Brooks Museum of Art in Memphis.

The first time I was just about to graduate high school and I had taken a few art classes. As many as they'd let me take. Suffice it to say I was not very knowledgeable about the process of painting or drawing but I could get a likeness and given enough time I could make a pretty decent painting, mostly by trial and error. This was my most pleasant trip to a museum. Let me qualify again: this was the one trip I didn't almost get thrown out of a museum. I did lose my group and end up staying there for over six hours, but I see this as a huge plus! We did the tour, they asked questions, I answered as we dissected the meaning of some more modern pieces. And then they let us go. Oh, My, God! Of course the first thing we did is get let out right next to the impressionists and post impressionists. It was the first time I had ever seen a piece of art I had liked from a text book in person. A little dancer done in chalk by Degas. It was so small, so intimate, I could see the way the chalk lay on top of the paper. I started bawling right then, just standing in front of art for the first time in my life. The next was a painting of Renoir, something I had done a master copy of from a book. I started crying again. When asked what was wrong, all I could say was, "Look at it! Just, look at it!" And finally I pulled myself together and went to just look at art for the next six hours, sans any more complete emotional break downs.

And then I returned home, got an art degree, and came back once again. Totally different experience. I know I was looking forward to seeing one painting I had loved as a senior. Now I can't even remember the name or the title, or anything about it, really. I looked at it, and was so confused. Had I really liked this before? Where were the colors I remembered? It was drawn well, but where was the part of it that moved me? It was just so flat and dead from what I remembered before. I shrugged and started walking around to view the art. This is where the problems started. I noticed most people progressing in a fairly linear fashion through the rooms, standing in front of some pieces, skipping others, but still, in a pretty orderly fashion. I, however, well.... Out of the corner of my eye I'd see a piece that would draw me in, I'd stare from across the room, the walk in, get as close as I could and try to figure out how it was painted. Then I'd back up, usually into someone, and then go forward to study it again, and then I would see another painting, and I'd practically have to run to it. I'd go from one room to another and back, without any sort of plan other than "Oh my god, I can't believe I'll get to see it in person!" once a piece caught my attention. Once a crowed had gathered around a fairly large work, and right beside it was a small self-portrait by Chardin. Immediately the portrait drew me in, almost made me cry again, seeing the color and the brushstrokes. I am pretty sure I began talking to myself about how much more amazing it was in person and just gushing over it. Honestly, from reproductions I had not cared much for it, but seriously, in person? Amazing! And then I noticed the crowed around the large painting, some staring curiously at my reaction, and I looked at the other work politely, shrugged a bit, and then noticed another portrait two rooms away and I was gone. At this point I had been asked to slow down numerous times, and one friend I was with had gotten in trouble for using a cell phone in a special exhibit, so at this point she wasn't with me. And then there were the Caravaggio's.

This is where I almost get thrown out. Apparently getting really close to see how someone paints something in a special exhibit is just as bad as using a cell phone. I am having a rapturous experience, and under normal circumstances I'm usually focused intently on one thing, at this point I'm pretty sure I've blocked everything else out. Someone's talking to me and I just start babbling all I know about Caravaggio, which at the time was a God awful amount to know because I had done several papers on him and it was all fresh in my mind, plus I was babbling about /how/ he was painting. And it turns out I'm gushing about the paintings to a security guard who just wants me to step back while I'm gesturing wildly trying to make him understand exactly how the light is layered and "oh my god, look at the glazing!"

Yeah. I think he was happy when I moved to another painting to compare. (It took me awhile to realize it was a security guard).

The same thing pretty much happened in the room with all the Corot's as well. And the Van Gogh's.And let's just say I'm pretty sure all the security guards at this point are well aware that I'm probably slightly insane and they should watch me. Because they do. And they ask me to step back a lot. Which usually just started me talking about how they painted something I was looking at and did nothing for my moving away from the paintings. I was so focused on the art they might have asked me to leave and I might have answered, "Just let me see how he mixed this color" or "do you see how he worked into this glaze" instead of leaving. I was so focused on art everything else was autopilot.

I think they were all happy when I moved on to the gift shop.

And then there was the Brooks Museum. My cousin and her husband and I went the other day. Yeah. First off, bad floor plan. The first thing I notice is a painting of a lobster that I really want to see. So I go see it. Unfortunately I step through some columns that I didn't even notice. Unfortunately this makes a security guard mad. And of course I'm just like, "Really? The space is so huge..." I mean, seriously, a five hundred pound person can fit through so easily, how was I supposed to know I shouldn't walk that way? There was no sign... But whatever. Their bad museum design, not mine, though I was kinda wary about where I could go after that. How was I supposed to know what was right?

And then came the part where we were almost thrown out. I do not have to have people around me to talk about art. So when I have captives with me, aka my cousin and her husband, I can talk a lot. And I gesture a lot, and I point out things a lot. So a security guard comes up to us and says something about it looks like we're touching the art on camera. I turn to face her and give a kind of dismissive smile and say, "Well, we aren't touching the art, thank you though" And then turn around to completely ignore her, even though she follows us throughout the whole exhibit.

I guess it wouldn't have been so bad there except with the way the lights were set up I couldn't be comfortable looking at details from one to two feet away. The light glared so I had to get right up on it to see what I was interested in: how the paint was applied on the canvas.

I suppose once I get used to going to museums like a civilized person I'll get better at this. But really! I got there not to look at art, you can do that online or from any art book, but to study and learn how it was done from the great masters themselves! Good artists not only do a magic trick in front of you, but literally show you how it's done. It's like they are painting right in front of you if you know how to look, and to me that's better than chocolate.

When a writer reads like a writer, they aren't reading a book like most people. They certainly can read a book like most people, but to read like a writer you read in an entirely different way, asking why a writer is saying something, using a certain figure of speech, and writing in a certain idiom. For a carpenter to look at a chair like a carpenter, he's looking at it, taking it apart in his mind, putting it together, wondering about the function of different pieces. That doesn't mean he can't sit in it. As an artist, I can look at art and just see it for the image it is. But I also can look at each brushstroke, each glazed color, see the materials, see how colors stack together, wonder at the use of value and elements of art and composition. And the best way to do that is look at the actual work, because you can't get that in a reproduction, no matter how high definition the camera goes, no matter the light used to photograph it. It's certainly good to look at art no matter how you can. But it's best in person.

As long as you don't get thrown out of the museum.

Friday, September 09, 2011

Bookbinding: Book 1

My first four books will be pretty much the same. I decided to bind my books using the Coptic stitch. I have four books for learning Urdu that I had forever in ebook format. Then I took a bookbinding course and decided I would find a program that would take a PDF and separate it into sections for bookbinding. I'll find the URL for that very handy little program tomorrow. So after that and the printing fiasco I ended up with forty or so signatures that needed to be sewn into books.


So now I'm actually getting to put them together. When I first started I wanted them all hard bound, but then I realized how hard that would be and how I was going to use them. I needed Coptic stitch so that they would stay flat, so I could study from them.

This was the first one. The cover really doesn't have anything to do with Urdu: An Essential Grammar, but I have a rule that I have to use up my art supplies I have for these projects I've started without buying more. That's also why half of the thread is pink and the other half is green.

I love it! Even if it would have gotten me a wonky stamp.

I'm doing these four first to get back in the swing of things, but after that I have enough supplies for several books I'm going to make, just to put in my etsy shop. I have gorgeous paper, an excellent book cloth and the paper for the inside will be up-cycled and top notch.

Thursday, September 08, 2011


Before I started doing art full time I started projects that I just didn't have the energy to finish after nine hours at work in 100+ temps and an hour and a half driving to and from work without air conditioning. It doesn't do a lot for creativity.

So now that I am painting and drawing full time I decided to finish projects I have hanging.

The first one is bookbinding. I have four books that only need to be sewn together. I was going to bind them hard back but, I decided it would be better for me to do them Coptic stitched.

The first one I ran out of pink cord and had to finish with green. It looks odd. But I made a rule that I'm not going to buy anything else until I finish my projects. And that book is for me! It is useful, not pretty.

After bookbinding I'm going to do my sewing projects. I need a rug in my studio and I want a few more longer shirts, or kameeze. I also want to do a quilt and just use up the large amount of fabrics I have still in my car.

Oh, I still have to sell my car...

Fiverr: Niagara Falls at Night

One thing I love about these little commissions is that I would never really choose to paint any of this on my own really... These keep me from getting into a rut. I'm always trying something new.

Tuesday, September 06, 2011

Fiverr: Rooster

Roosters are kinda cute and scary.

Sketches: Along the Road

Back before I started getting car sick every time I even looked at a vehicle, I used to sketch the side of the road. Repetitive patterns and color, I loved it! Unfortunately I can no longer do this and must content myself with trying not to be sick by looking far off in the distance.

Loved finding this old thing in my sketch book though!

Fiverr: Teapot

Just something I painted over the weekend, after the tropical storm and before I got sick. I'll have another soon before too long, I'll be ok too.

This thing I really like the colors I got in it. And though I think you can tell what I did from memory and what I did from photo, I think it holds together. I'll probably revisit this as a still life again!

Saturday, September 03, 2011

CommissionII: His Close Up

I put off his head till last because I just knew I wasn't going to make him look normal. Lucky for me I was wrong and besides his hair taking forever and a day his face came together really well. And I am lying about the hair. It really wasn't that hard, I just kept working from dark shadow to light, from warm shadow to cool highlights. I was really surprised how it turned out.

And really, I can't talk much about his face because it feels like I put some darks, filled up to highlight and played with a bit of cool and warm tones, but everything ended up in the right place and that included his eyes.

I love when things are in the right place and I surprise myself. Though it almost feels like I'm cheating because I haven't worked hard and where'd the paint go?

Anyway, I was thrilled! It's like I'm getting better at painting. More practice! Here I come!

CommissionII: Her Close Up

I suppose I should just put all the finished images and what nots in one post, but all of the images are in my phone and I can only post one image at a time. It doesn't bother me too much, but for something like this it does sort of bother me. If it wasn't such a hassle to email my photos to myself and download them and make sure they look right I'd go ahead and do that. But I'm traveling and my computer is tucked away. I'll see what I can do.

The actual photograph I was working with was completely washed out. Full frontal lights, and forty some odd years of fading. There wasn't a whole lot to go on feature wise and a lot of this, frankly, I made up.

I added some color to the shadow so it wasn't a dark gray, I made sure there was some semblance of a mid tone, and I made sure people could distinguish between the lightest and the highlights. No washing out. Much. I'll post a picture of the photo later so you can see exactly what I was looking at. Believe me: I fixed problems. Her hair really was /that/ large. It had a lot less red in it. Truthfully it had a lot less color in it from fading, and I did my best to make it look better. It's not her, it's just what so many years do to not light fast inks!

Two more posts on this commission and tomorrow I start something completely different! Three new small commissions, will have two done tomorrow, maybe three if I get the information I need, and one larger pencil work I hope, but that'll keep me busy for a week or two!

Friday, September 02, 2011

Passport! The World is Mine!

Oh, yes! I'm uber excited! Holla!

CommissionII: Finally Finished!

Well, I say finally mostly because I used that phrase on commission the first and thought it would be a good tag line. All in all it wasn't that painful a painting for me. I took my time, didn't get over whelmed, and I think it turned out well. It's certainly not going to go down in history as one of my mature pieces or anything, but considering how I had been apart from painting I did well. Painting is a cruel mistress to those who spurn her.

I'm afraid this photo doesn't really do it justice and I plan to try to get a better photo of it tomorrow. Can't promise anything, but I do have details of the faces in the painting.

Mostly I'm used to using way more paint. This was very bare bones for me. You can see the under coat of raw sienna! This kind of bugs me even though it looks good. It looks good in the photo and it looks good in real life. I just wish I can convince part of me that it is good. The main reason I used so little paint was I got the effect I needed without adding more. The second reason is this painting is huge and I am not getting a ton of money for it and I can't afford to cover the painting with any more paint. Had it turned out bad I would have uses as much painting as needed to fix it. I was just lucky. Or skilled. Not talented.

CommissionII: Just the guy left

Only pausing from painting to take a quick shot this morning. I'll take another as soon as I finish. Trying to get done today!